‘Supergirl: Woman of Tomorrow’ Casts Matthias Schoenaerts in Villain Role

Published: Sep 25 2024

Belgian acting stalwart Matthias Schoenaerts has secured the coveted role of the nefarious antagonist in the upcoming DC Studios spectacle, 'Supergirl: Woman of Tomorrow,' helmed by the visionary director Craig Gillespie. Stealing the spotlight as the titular superheroine is 'House of the Dragon' sensation Milly Alcock, who embodies Kara Zor-El, Superman's cousin with a vengeance.

‘Supergirl: Woman of Tomorrow’ Casts Matthias Schoenaerts in Villain Role 1

Inspired by the thrilling comic by Tom King and Bilquis Evely, this film veers off the beaten path of traditional superhero narratives, embarking on a grandiose sci-fi odyssey. It weaves a tale of a young extraterrestrial maiden seeking Supergirl's aid to avenge the brutal murder of her family, a departure from the earnest portrayal familiar to audiences of the CW's 'Supergirl' series.

Schoenaerts' villainous character, a formidable foe akin to Krem of the Yellow Hills from the comics, who orchestrated the heinous slaying of the girl's father, adds an ominous layer to the narrative. The stakes are raised when Supergirl is compelled to intervene, ignited by the injury of the beloved superpet, Krypto.

Marking the second DC Studios endeavor to commence filming (following James Gunn's groundbreaking 'Superman'), 'Supergirl: Woman of Tomorrow' eyes an exhilarating January start in the UK, with a cinematic release slated for June 26, 2026. Schoenaerts, fresh from his powerhouse performances alongside Kate Winslet in 'Max' and HBO's esteemed miniseries 'The Regime,' as well as starring roles in the gritty Western series 'Django' on Sky, continues to leave an indelible mark. His impressive resume also boasts collaborations with Marion Cotillard in 'Rust and Bone,' Jennifer Lawrence in the espionage thriller 'Red Sparrow,' and Charlize Theron in the adrenaline-fueled 'The Old Guard.'

Represented by CAA, Schoenaerts is poised to deliver a villainous performance that will leave audiences on the edge of their seats.

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