In "The Unbreakable Boy," the weight of numerous challenges looms large, not merely for its protagonists but also for the viewers. The narrative, grounded in real-life events, is replete with issues such as autism, brittle bone disease, alcoholism, financial woes, and marital strife. While one might argue the authenticity of its plot elements (despite their basis in truth), the film aims to be profoundly inspiring. Yet, it seems crafted to induce a sense of moral inadequacy in those who don't extol its virtues.
Consider me among the tone-deaf, for this dramatic endeavor, helmed by Jon Gunn (of "Ordinary Angels" fame), proves to be an arduous journey. It's hardly surprising that the film languished unseen for nearly four years post its initial release date, feeling almost too burdensome to embrace.
From its inception, the film exudes an overbearing charm, narrated by its titular teenage protagonist, Austin (superbly portrayed by Jacob Laval). He kicks off with an endearing list of his favorite things, proclaiming, "Ranch dressing is da bomb!"—a line sure to resonate with Hidden Valley enthusiasts. Austin shares that his parents, Scott (Zachary Levi of "Shazam!" fame) and Teresa (Meghann Fahy of "The White Lotus"), conceived him after just three dates. With characteristic cheerfulness, he exclaims, "Okay, pay attention, here’s the part where I came in!" as we witness the obligatory, scream-filled birth scene. Flashbacks to their courtship unveil Scott's endearingly awkward moment of offering to buy eight identical pairs of pants at Teresa's workplace.
Austin's life is marked by osteogenesis imperfecta (OI), or brittle bone disease, rendering him susceptible to fractures from the slightest mishaps (even his birth caused rib injuries). His autism manifests in endless chatter and a penchant for donning a vibrant jester's hat. His hyperactive imagination brings scenes to life where he soars with his father or watches a kite transform into an animated dragon. However, there's a darker undercurrent as Austin experiences violent episodes, once leading to hospitalization due to an adverse drug reaction.
Scott and Teresa offer unwavering support, yet the strain tests their relationship, particularly when Scott succumbs to alcoholism. A grounded priest (Peter Facinelli, who also produced) with his own troubles becomes Scott's confidant, helping him find gratitude and joy amidst adversity.
Based on Scott LeRette's memoir, this is undeniably a heart-wrenching story. However, its choppy, episodic, and formulaic telling undermines its impact, rendering it hard to take seriously. Annoying recurring scenes of Scott conversing with his imaginary friend Joe (Drew Powell) don't help matters. At one point, Scott asks Joe, "Are you God?"—thankfully, one of the film's rare moments of levity.
Levi brings a likable presence to the screen, yet he struggles with his character's darker facets. Fahy, though appealing, is underutilized, with Teresa barely defined beyond her fierce protectiveness of Austin and her passion for video games.
"The Unbreakable Boy" laboriously endeavors to tug at heartstrings, squeezing every ounce of anguish, sorrow, and even humor from Austin's formidable obstacles. Yet, it crosses the line from inspirational to what feels like exploitation of misery.
