As the curtain rises on the premiere episode of "Mid-Century Modern," Arthur Broussard (portrayed by Nathan Lee Graham) imparts to Bunny Schneiderman (Nathan Lane) a peculiar sensation, noting that it's oddly just the three of them—Arthur, Bunny, and Jerry Frank (Matt Bomer)—left to grapple with their loss. Arthur gently rebukes Bunny's attempts to shed tears, reminding him that such displays merely cast him in the light of a reluctant participant in mournful rituals. They stand in solemn contemplation before George's coffin, its occupant's lifeless form a poignant reminder of their shared sorrow.
Jerry's belated arrival is accompanied by an extraordinary tale of an emergency landing in Tucson, necessitated by a tragic encounter between a service dog and an emotional support chicken. Jerry's gaze lingers on George, sparking a collective wonder among them if they will ever again know the warmth of a genuine smile. Their grief is momentarily eclipsed by the distraction of a passerby, a fleeting moment that serves as a temporary respite from their heartache.
Bunny reveals to Jerry that the UPS deliveryman who discovered George has just departed. They retreat to Bunny's abode, where Arthur expresses astonishment at the scope of Bunny's business endeavors—an empire of Bunny Hutch stores soon to span 31 states. Arthur's attention is drawn to a photograph commemorating their first summer at the Fire Island house in '94, a nostalgic glimpse into simpler times.
Their conversations drifts into reminiscences, with one picture serving as a testament to George and Jerry's romantic past. Bunny stumbles upon an image of them performing on a dock, whimsically wondering if they were perhaps the pioneer of all-male girl groups. Jerry initiates a sing-along, the melodic notes intended to lift their spirits, only to abruptly halt the music when George's part arrives, a poignant reminder of his absence.
Their discourse pivots to the poignancy of George's demise, Bunny lamenting the fact that George had no one to tend to his digital afterlife, sparking a shared concern over who will delete their search histories now that they each reside alone. Jerry's gentle reminder that Bunny still lives with his mother, Sybil (Linda Lavin), fails to assuage Bunny's fears, who doubts Sybil's capability given her impending departure. Bunny's melancholic conviction that they are all deeply unhappy takes root.
In a gesture of camaraderie, Bunny extends an invitation to Arthur and Frank to share his home, arguing that they should cherish each other's company while they still can. He reassures them that their social lives need not suffer, hinting at the possibility of romantic entanglements even under the same roof. Bunny reveals his own plans for the evening, a date arranged through Gay December Romance, an exclusive dating app catering to discerning older gentlemen and the younger men who admire them. He proudly displays pictures of Antonio (Renan Pacheco), his date for the night.
Antonio's arrival soon after sets the stage for an intimate evening. In the sanctity of Bunny's bedroom, Antonio attempts to persuade Bunny to shed his clothes, but Bunny remains hesitant, seeking to understand every facet of Antonio's life. Antonio, a trainer at Equinox though yearning for a different path, reveals his last name as Sandoval and admits to lacking what Bunny possesses—a sense of fulfillment, perhaps. Bunny, ever the optimist, believes that anything is possible, while Antonio speculates that Bunny must have once had a partner. Bunny confesses his aspirations of marriage, aspirations that remain unfulfilled. Antonio offers a words of encouragement, reminding Bunny that it's never too late for love. Jerry, echoing Bunny's sentiment, urges Arthur to consider Bunny's offer seriously.
Arthur ponders the idea of bidding farewell to New York, citing Sybil's presence as the sole deterrent, albeit acknowledging her impending move to assisted living. Unfortunately, Sybil catches wind of his remarks. Arthur hastily defends himself by accusing Sybil of racism. In response, Sybil firmly denies any prejudice, clarifying that her issues with Arthur stem not from his skin color but from his behavior, branding him as difficult. Arthur concedes this point before they delve into his termination from Vogue.
Sybil then turns to Jerry, expressing her excitement about his impending move-in. She reassures Arthur that assisted living is not in her future plans, as she has plenty on her agenda, including arranging her daughter Mindy's wedding. Jerry, surprised to learn Mindy isn't already married, listens intently as Sybil clarifies the misunderstanding.
Once Sybil exits the scene, Arthur scoffs, doubting that Sybil could have birthed a heterosexual son. Bunny joins them, sharing his night's escapades. Jerry reveals their plans to relocate to Palm Springs, which seems to make Bunny hesitate. Arthur urges Jerry to pack their bags, sensing that Bunny's hesitation stems from believing he's found love with Antonio.
Bunny admits that Antonio was invited to move in solely because he appreciates Bunny's stretch marks, sparking a heated argument between Arthur and Bunny. Arthur accuses Bunny of confusing a night with a hustler for love, predicting that once Antonio is done with him, Bunny will realize Arthur's warnings were true. Arthur admits confusion, as Bunny's successes in all aspects of life make him believe he's unworthy of genuine affection.
Arthur and Jerry proceed to the Chauvette Inn, Jerry initially mistaking it for a French establishment before dubbing it the "Shove It Inn." Meanwhile, Bunny seeks advice from Sybil, pledging to prioritize himself for once. Sybil encourages him to embrace love whenever uncertain.
Arthur notices Antonio conversing with another man at the motel, alerting Jerry. They witness Antonio entering a room with the stranger. Arthur and Jerry prepare to confront Bunny, with Arthur giving Jerry specific instructions. Bunny invites them in to explain himself, lamenting his poor luck in love and declaring that he's found his true love in them. He apologizes and expresses his desire for them to still move in. Arthur keeps Antonio's infidelity to himself.
Later, as they dance and sing, Sybil joins in, unaware of Arthur's unspoken secret.
