Amidst the thrilling news of Why Women Kill's renewal for a second season, we embark on the dramatic finale set in 1963. Beth Ann, to her husband's utter dismay, reveals her acquisition of a firearm, initiating a tense discussion with Mary over the fate of their respective spouses. Meanwhile, the genuine Sheila invites April into her home, intent on sharing a revelatory truth. Beth Ann, preparing Rob a drink, confronts him about the unlocked gate on the fateful day their daughter perished. She urgently demands the truth, but he stares her down and utters a blatant lie. Mary, leaving a note for Ralph informing him of her intent to leave for Rob, prompts him to seize the pistol from its hiding place, while she hides beneath the bed. As Ralph strides out, Mary urgently calls Beth Ann. A knock at the door rushes Beth Ann over, expecting Ralph's arrival. However, it's April who stands there.
In 1974, Tommy rescues Simone from Naomi's attempted murder at the very last moment. Shortly after, they share a cup of tea, where Tommy urges Simone to press charges against Naomi, but she refuses. Six months later, we find Simone selling her paintings to cover Karl's medical expenses. Hector arrives with the news that Karl has been stealing sleeping tablets, but when confronted, he claims they are necessary to ease his pain. A hospital visit soon after offers Simone a stark glimpse of the disease's ravages, as Jimmy lies bedridden. Upon returning home, Karl begs Simone to administer a shot, desiring a dignified end. He asks her to change, and they dance together in a bittersweet farewell.
In 2019, Taylor advises Eli to relax as they exit the hospital, discussing plans to move away from Jade. Taylor decides to abandon the idea of an open relationship, much to Eli's relief. Upon reaching home, they find Jade wielding a knife in the kitchen. After a tense conversation, she rushes out the back as the police arrive, informing them of Duke's murder. They inquire about potential suspects, and it's then that Taylor and Eli reveal everything to the police.
As the curtains draw to a dramatic close, the three narratives converge into a tumultuous climax. Rob and Ralph engage in a fierce battle, while Beth Ann and April flee in haste. Simone and Karl's graceful dance persists until he falters, exhausted, and Jade's vengeful stab at Eli is swiftly reciprocated by Taylor, piercing her with a dagger. Ralph fires relentlessly at Rob's chest, leaving him crumpled, as Beth Ann watches with malicious joy. Simone administers the final injection to Karl, sealing their bond with a tender kiss.
As the episode fades to black, Beth Ann gracefully hands over the keys of the house to Simone, her countenance now serene and transformed. We then leap forward in time to witness an aged Simone passing the keys to Taylor and Eli, who in turn entrust them to a fresh couple. However, the new wife's discovery of her husband's infidelity triggers a violent outburst, unleashing a shotgun and perpetuating the vicious cycle of murder within the confines of that house.
The finale of Why Women Kill is a masterful testament to the show's narrative genius, mirroring its beginning with a poignant irony and a seamless fusion of its narratives. The symbolic handover of keys serves as a captivating conclusion, and the interactions between our diverse protagonists solidify this series as one of the year's finest.
Why Women Kill is a show that was initially misunderstood by hasty reviews. I've always advocated for reserving a full-season review rating, and this drama is a prime example of why one should never judge a book by its cover. It started as a harmonious trio of tales dancing around a central theme, but it quickly evolved into a standout show, excelling in its writing, pacing, and exploration of diverse themes. Why Women Kill strikes a perfect balance between artistic nuances and sharp editing, culminating in a flawless finale. With new characters and a fresh storyline promised for the second season, I eagerly await its return. Whether it can scale even greater heights remains to be seen, but for now, Why Women Kill bows out in triumphant glory.
