Andrew Barth Feldman will step into the Tony Award-winning shoes of Darren Criss in the acclaimed musical, "Maybe Happy Ending." Feldman, whose credits include a starring role in Broadway's "Dear Evan Hansen" and a film appearance in "No Hard Feelings," will don the mantle of Oliver, a retired robot residing in South Korea, beginning September 2nd for a nine-week engagement that concludes on November 1st. Criss, who originated the character of Oliver on Broadway and garnered a Tony Award for his groundbreaking performance—making history as the first Asian American actor to win in the category of Best Performance by an Actor in a Leading Role in a Musical—has been portraying the role since October 2024.
Feldman will share the stage with Helen J. Shen, his real-life sweetheart and an original cast member, alongside fellow original cast stars Dez Duron and Marcus Choi, as well as understudies Steven Huynh, Hannah Kevitt, Daniel May, Christopher James Tamayo, and Claire Kwon. This marks the first time that the role, which originated in South Korea, will be portrayed by a white actor.
"From the moment Andrew lent his unique interpretation to the role of Oliver in Helen J. Shen's initial audition tape, we knew he possessed a magic that would resonate with audiences," shared the musical's creators, Will Aronson and Hue Park, along with director Michael Arden, in a statement. "Seeing him join Helen onstage at the Belasco Theatre is a joy beyond measure, and a pairing we are confident will endear itself to audiences just as it has to us. At its heart, 'Maybe Happy Ending' is a tale of yearning for connection and the intricate tapestry of what it means to be human—themes that transcend cultural boundaries. We are proud to continue embracing casting that celebrates boundless creativity and showcases how this role invites diverse perspectives and lived experiences."
The musical revolves around Oliver and Claire, a robot portrayed by Shen, as they embark on a quest for companionship in their twilight years. "Maybe Happy Ending" garnered the 2025 Tony Award for Best Musical, among five other accolades, including Best Score, Best Book of a Musical, Best Direction of a Musical, and a Tony for Criss.
Feldman expressed his heartfelt enthusiasm, stating, "I am utterly enchanted by this production and by Helen J. Shen. Having been a part of this Broadway journey from its inception as her plus-one, I have grown deeply attached to this exceptional team and wondrous ensemble. That they entrust me with this character and grant me the indescribable privilege of sharing the stage with Helen is an honor that transcends words."
